OSS Receives Congressional Gold Medal

On March 21, 2018, in the midst of a Washington, DC snow storm that shut down the federal government, the Office of Strategic Services (OSS) was recognized with the highest civilian honor Congress can bestow – the Congressional Gold Medal. Over 75 years after the OSS, the predecessor to the CIA, was formed Congress presented the medal which was accepted by Charles Pinck, President of the OSS Society, and approximately 20 attending WWII veterans. Of the 13,000 people who worked for the OSS at the height of the war, it is estimated that there are only 100 surviving veterans left. Though only 20 veterans were present, Emancipation Hall was packed full with family members, friends, and supporters of the OSS. Speaker of the House of Representatives, Paul Ryan, presided over the event at the United States Capitol, opening with moving words about to William “Wild Bill” Donovan.

In 1941, before the bombing of Pearl Harbor, Roosevelt knew it was only a matter of time before the United States would enter the war. Realizing that our own intelligence was spread across the varied defense organizations, the FBI and State Department, he appointed Donovan as Coordinator of Information to begin the task of creating a single over arching group to gather and assess intelligence data. After the bombing of Pearl Harbor Donovan’s group became operational and was named the Office of Strategic Services. These men and women not only  analyzed data for the war effort, they also dropped behind enemy lines in the dark of night to organize resistance groups, helped POWs escape into Allied territory, infiltrated enemy groups to provide intelligence, and much more. The OSS hired a wide variety of military, civilians, races, religions, genders, and even a few criminals to carry out their mission. Operatives worked in secret and for so many years their contributions remained unknown. With the Congressional Gold Medal, their bravery has finally been given the recognition it deserves.

OSS, The Spearhead that Leads the Way

Excerpt: Isabella’s Painting book 1 in Ellen Butler’s Karina Cardinal mystery series. 

Isabella’s Painting will be arriving May 2, 2018. It is now available for preorder. Visit your favorite digital booksellers here:  

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The hallway was silent, but I could see well enough—tiny nightlights plugged into outlets intermittently lit the way to the grand staircase. My socked feet barely made a sound as I drifted down the steps. The tick of the grandfather clock in the front hall sounded loud to my ears, and I nearly jumped out of my skin as it struck the half hour with a sing-song chime. I stopped in my tracks with a hand to my chest. Finally, the last echo of the bells ended, and I carried on to the kitchen. It took but a moment to find a clean glass, fill it with water, and slug back the two little pills that would bring relief.

When Patrick told me his mother had invited us to spend the night following the party, I’d originally thought it a fine idea. It allowed both of us to drink and not have to worry about driving home or getting a cab. Now, I wished for the comforts of my own bed. As I swallowed the last of the liquid, I glanced around the kitchen, also lit by nightlights, and found little sign of the party that had just finished a few hours ago. No glassware or dishes lined the sink, and the counters were wiped clean. The catering staff did their job well. I ran my hand along the quartz and saw a green light in the corner, near the ceiling, turn to red. It was one of the motion sensors Patrick had pointed out earlier. He’d said the motion sensors were only turned on when the house was empty. The light turned green again. I waved my hand, and the light went red. I guessed the sensors were always on by default, just not armed to trigger the alarm.

Gently, I laid the glass on the counter. Something else came to mind that Patrick had mentioned. There were no cameras inside the house. Molly had put her foot down, and refused to allow Marty to install interior cameras, because she “didn’t like the feeling of being spied on in her own home.” His father relied on the pressure plates beneath the sculptures and artwork to keep them safe. When I’d asked Patrick about the hunting scene above the fireplace in library, he laughed and said it was practically worthless. His mother had picked it up at a flea market when they were a young couple, struggling to make ends meet. It held more sentimental value than a monetary one.

The knob twisted beneath my fingers, and the low glow of the lamp came to life. Somehow my feet had drawn me down the hall to the library, and now I stood staring at the “worthless” painting. Though I valued the beauty and importance in historical culture, I knew very little about art. Living in the D.C. area, I had trotted through the art museums on the Mall for class field trips, and occasionally played tour guide for out-of-town guests. I could differentiate between a Picasso and Degas, but that’s where my expertise ended.

The hunting scene looked good to me. The brush strokes were fine, and the bright red paint colors of the hunter’s coats drew me into the picture. Black and white hounds, their tails up and ears perked, seemed ready to dart off into the fields to find their fox. However, the painting wasn’t the reason I stood in the library now. Brazen curiosity could be the only explanation.

My fingers pushed and prodded decorative pieces of trim surrounding the mantle, the fluted plinth, the center of a carved flower, the pineapple in the middle of the frieze. Nothing. I couldn’t shake the feeling something had moved in this area, and Marty had definitely been irritated by my barging in. Was there a hidey hole in the fireplace, or possibly a passage to a secret room? The residence was large enough to house a hidden chamber. I remembered reading an old gothic novel about an art collector who kept high-value artwork in a concealed room off the study. I felt like Nancy Drew searching for a clue.

But a clue to what?

When the fireplace yielded nothing, I turned in a circle. Floor to ceiling bookshelves lined both sides of the long walls of the rectangular room. A library ladder on rails stood midway down on the left side. It would take hours for me to test the books and knick-knacks filling the shelves. Besides, my instincts told me the books were the wrong track.

The opposite end of room from the fireplace revealed a pair of French doors leading out onto the back patio and pool area. Marty’s antique desk sat closer to the doors than the fireplace. On it was a desk blotter, pencil holder, a few framed photos of family, and various bric-a-brac. The cleanup crew must not have visited this room because the brandy snifters from earlier remained. Chris’s still held liquid in the bulbous glass, however, Marty’s had been emptied.

The leather chair creaked as I lowered myself onto the seat. Ahead of me rose the magnificent fireplace. The bottom drawer was locked, but the other drawers opened and closed with little effort and were filled with nothing unusual—files, paperclips, pens, a stapler. What had Marty been reaching for? I closed my eyes and allowed my fingers to feel under the lip of the desktop. Sure enough, some sort of catch met my searching touch. I pressed. There was a click. The hunting scene disappeared upwards to reveal another smaller painting.

The grandfather clock began its chime, startling me. I jumped, pressing the hidden button, and the painting disappeared. In between the tolling, I heard a new sound—the creak of a floor board.

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Readers’ Favorite Review Of The Brass Compass

“A Magnificent Success”

Reviewed By Thomas A. Peters

It’s November of 1944 in Germany and adept American OSS agent Lilian Saint James has just been handed the perfect opportunity to insert herself into the home of a leading Nazi tactician, after saving the German army colonel’s young daughter from being run down by a car. After passing an investigation, she is sent to be a nanny in the Oberndorf home, where she begins to gather intelligence and take pictures of strategic maps of munitions factories, air fields and static U-boat locations that she hopes to pass on to the Allies. Her hopes are dashed, however, when the only two contacts available to her are neutralized by the SS. Fearing that her cover is blown, Lily must find a way to escape west past the battle lines into liberated France where, with the help of American Army troops, her undercover efforts are brought to fruition. After an all too brief recovery period, the ever-intrepid Lily, who refuses to be relegated to a desk job while the war continues, is requested to return to Germany to help rescue a downed British pilot and she jumps at the chance. Following this death-defying success, it would appear Lily’s days of intrigue are over, but again she manages to shrewdly insert herself into the action and, in the waning days of the European war, she arrives at the captured concentration camp of Buchenwald where she makes a discovery instrumental in identifying its horrific commanding officers who fled before the Allied arrival.

Seasoned author Ellen Butler’s first foray into historical fiction with the World War II spy novel, The Brass Compass, is a magnificent success filled with characters that remind the reader again and again why the moniker “greatest generation” is so aptly applied. The carefully constructed first-person narrative, perfectly in vogue with the vernacular and popular culture of the era, is flavored seamlessly with the many tongues that the multi-lingual Lily must use to navigate in a dangerous world where it seems no one can be trusted. On its own, as a novel of intrigue and espionage, The Brass Compass would stand as quite an achievement, but the story truly hits the high notes with the romance between its Ingrid Bergman look-alike protagonist and Milwaukee gentleman-turned-army major. Physical beauty aside, it is the internal thoughts, and moreover, the impetus to “do something more” for the war effort which simultaneously drive Lily and the reader forward in discovering the horrors of combat and the triumph of love.

Isabella’s Painting ~ Arriving May 2

After a long week lobbying on Capitol Hill, all Karina Cardinal wants to do is chill with Netflix and her boyfriend, Patrick Dunne. Instead, she’s slipping her aching feet into red stilettos for his parents’ annual holiday bash.

When she accidentally interrupts Patrick’s father in his study, her embarrassment is tempered by suspicion that Martin Dunne and his dapper, secretive guest are hiding something. Maybe the painting she barely glimpses right before it disappears behind a secret panel.

An internet search raises her curiosity to full-blown alarm. If she’s right, Martin is in possession of a stolen masterpiece. Infamous because everyone close to it has turned up dead. As in Mafia-style-execution dead.

As she’s chewing over which instinct to follow—back off while she still can, or dig deeper for the truth—she crosses paths with FBI agent Mike Finnegan. An old friend and not-quite flame from her college days. When she looks into his warm, mocha eyes, she’s tempted to tell him everything.

Trouble is, she’s already being watched. And the next move she makes could destroy innocent lives…including her own.

New Series Coming in 2018

I am pleased to announce my next novel, Isabella’s Painting, will be book 1 in the Karina Cardinal Series. It’s a new thriller/suspense series featuring Karina Cardinal, an intelligent D.C. lobbyist with a sharp wit, and a curiosity to rival Jessica Fletcher. Karina’s inquisitiveness pulls her into one adventure after another occasionally putting herself or those she loves into danger. Right now, I’ve charted four Karina Cardinal novels with possibly more to follow. Fans of my contemporary suspense, Poplar Placewill enjoy Isabella’s Painting. Isabella’s Painting is currently slated for 2018. More details soon to follow.

Isabella’s Painting

A D.C. lobbyist stumbles across a stolen painting at the home of her fiancé’s parents dropping a moral dilemma into her hands. Her efforts to do what’s right could jeopardize her engagement, and place her in the mafia’s crosshairs.

75th Anniversary of the OSS~Celebrating Female Spies~The Brass Compass Release

Congressional Gold Medal Act

Female spies who risked their lives during World War II will be recognized with the 75th anniversary of the Office of Strategic Services (OSS), the precursor to the CIA. The OSS Congressional Gold Medal Act will honor around 100 brave individuals who are still alive with an award ceremony.  Their bravery and ingenuity is displayed in The Brass Compass, a book being released on May 22, 2017 to coincide with the anniversary.

The Women of the OSS

Sabotage. Seduction. Couture dresses with hidden pockets. All were techniques and tools used by female spies recruited by the Office of Strategic Services (OSS) during World War II. These women were critical to Allied success and audiences have been thrilled by their exploits in novels and on the screen, yet their very real accomplishments have been ignored for generations.

This year the OSS, which was the precursor to the CIA, will celebrate its 75th anniversary. And thanks to the OSS Congressional Gold Medal Act, its agents will finally get the recognition they deserve. Just in time for that celebration The Brass Compass, a book set during WWII, will place one female spy in the spotlight.

The novel reveals the extreme dangers agents faced when Lily St. James parachutes behind enemy lines, destroys rail lines, and infiltrates a high-ranking Nazi household. The Brass Compass is the latest story to celebrate the uncompromising intelligence and composure displayed by real operatives. From Greta Garbo in the film “Mata Hari” to Stephanie Meyer’s modern novel The Chemist, audiences are riveted by the tough-and-tender ways women approach espionage. These fictions reflect reality. By allowing women to utilize their natural talents and their specialized training, the OSS preserved freedom worldwide.

The covert intelligence program didn’t exist before December 7, 1941. The surprise attack on Pearl Harbor spurred President Franklin D. Roosevelt to create one overarching espionage office, formalizing it on June 13, 1942. Scrambling to cobble together an effective system, the OSS recruited without prejudice. Race, religion, gender, or formal education had no impact on ability. Often the people who became field agents were bilingual. They might have spent time living abroad, which gave them a natural familiarity with overseas cultures. That’s how Lily St. James, the heroine of The Brass Compass, becomes an Allied spy. With a diplomat for a father, Lily grew up in various locations throughout Europe. She is therefore fluent in French and German, both of which are invaluable for an operative.

According to CIA historian Linda McCarthy, the war department knew that women excelled at infiltrating enemy networks and organizing resistance movements. Female agents became saboteurs, guerrilla warriors, mapmakers, propagandists, and communications technicians. In The Brass Compass, St. James calls on her training as well as her wits to fulfill a number of these roles. Like many of the agents who parachuted behind enemy lines in France, her life expectancy in the field is about six weeks.

Fortunately, OSS spies had a specially designed arsenal. They used single-shot Liberator pistols, button compasses, and escape maps printed on silk. Espionage equipment tailored for female spies included shoes with hollow heel compartments, codes embedded in compact mirrors, and suicide pills disguised in jewelry. St. James makes use of false documents, hidden compartments and a tiny matchbox style camera invented by the OSS. Even with this specialized equipment, she must be clever. While working as a nanny for a German officer, the tiniest slip might prove fatal. Eventually she is forced to flee with mini-film hidden in a hollow boot heel. Although exposure and fatigue cloud her judgement, she does what she must to survive, and when she stumbles across a dead pilot, St. James takes his Victory Colt pistol and the photo of his lover.

The pistol is a deadly weapon she will not hesitate to use. But she prefers flirtation and persuasion to wiggle out of tough spots, so the photo supports the story she concocts to evade enemy patrols. Seduction and evasion were used by “swallows,” female operatives who were astonishing effective. Betty Pack infiltrated the Vichy Embassy in Washington, DC, through seduction. There she secured the information needed for Operation Torch, the invasion of Vichy French North Africa.

Even though the women of the OSS performed admirably, they struggled against a society that didn’t offer much respect. Doris Bohrer, who analyzed aerial photos and selected troop drop sites, said, “Everyone else was Lieutenant So-and-So, or Captain This. We were The Girls.” Despite the lack of respect, the women of the OSS persevered. Nowadays, female operatives are widely valued. Tamir Pardo, head of Israel’s Mossad, said, “[W]omen’s abilities are superior to men in terms of understanding the territory, reading situations, [and] spatial awareness.”  Lindsey Moran, a five-year CIA veteran, believes that the agency’s best-kept secret is that their most talented spies are women. Awareness and assessment are key to survival, and these skills have been valorized in many films and books like The Brass Compass.

On the 75th anniversary of the OSS, agents who risked their lives in WWII will finally receive the recognition they deserve. The program that spawned the CIA, the Navy Seals and the Special Forces will be lauded for the heroism and valor of its employees…whether they were men or women.

On June 13, 2017, the 75th Anniversary, Ellen Butler will be presenting—A Celebration of the OSS 75th Anniversary ~ Highlighting Women’s Contributions, Weapons, and Training—at the Freedom Museum in Manassas, Virginia.

Ellen Butler is an award-winning author whose grandfather was a WWII cryptographer. She is also a member of The OSS Society. The Brass Compass was inspired by the brave women who served in the OSS, the British Special Operations Executive organization, and the French Resistance. Butler will tour multiple states from April through July to present The Brass Compass and other books to readers.

Trade Paperback $14.99 ~ eBook $4.99

.99c Book Bundles

For a limited time Heart of Design and Art of Affection are available as part of a box set. Only .99c will get you some steamy romance stories from Crimson Romance. Don’t miss out on your box set.

California Kisses: 10 Golden State Romances


We’ve packed this bundle full of mountains, beaches, Hollywood glamour, sunshine, and wine, delivering romance the way only California can. Join these ten couples as they explore love in the state known for its golden dreams.


Works of Passion: 8 Artistic Romances


A picture paints a thousand emotions in these eight tales of colorful romance. Don’t miss a stroke of these wonderful stories of inspiration and passion.

The Brass Compass Video Trailer

The Brass Compass Video Trailer is now live for your sneak peek enjoyment.

Publisher’s Weekly

I’m pleased to announce Poplar Place is listed in the December 19th Publisher’s Weekly Magazine in the section for Indie Published titles.


It’s Entertainment – My Writing Life

typewriter-801921_1280In the past few years, since I began producing novels, I’ve had many interviews and answered multiple questions about inspiration, the logistics of writing, dealing with writer’s block, research, character development, and in-depth questions about specific novels. One question I’ve never been asked is—why do you write? What do I hope to accomplish in my writing life? What do I want to convey to the reader? Do I want you to learn something new, or bring a societal issue to the forefront? Back in the old days when I wrote policy papers and newsletter articles for a medical association those were exactly my goals. Now, as a fiction writer my number one goal is to entertain my audience.

The thing I love about a good book is its ability to transport me somewhere else — either geographically, or historically. My goal in writing my own novels it to provide a break for my reader from the harsh realities of real life. Let’s face it, there are so many concerns pressing down on us. In our own lives we might be dealing with illness, job insecurity, struggling to pay the bills, difficulties raising children, the list is endless. Outside of our private concerns, we are bombarded with the state of the world—terrorism, mass shootings, racial upheaval, and market fluctuations turning a hard-earned 401k into a 201K overnight. All coming at us from a sensationalist industry following the motto, “if it bleeds, it leads.” My family jokes about the 24-hour news network CNN, calling it Constantly Negative News. If I can carry my audience away from the world for a few hours, then I’ve accomplished what I set out to do.

Many would argue this goal is superficial, and writing should be about more than entertainment. Perhaps they would be right. Don’t get me wrong. I address serious nonfictional matters in my novels ranging from cancer (Planning for Love), to war injuries and survivor guilt (Second Chance Christmas), abusive relationships, divorce, and single parenthood (Heart of Design, Art of Affection). I even thought I created my own medical condition, only to find out that Mirror Touch Synesthesia is an actual syndrome and is probably as difficult to live with as my character portrayed it in Poplar Place. These matters are researched and respectfully handled and may bring new knowledge to my readers. I’m always grateful to readers who provide constructive feedback, both positive and negative, about these issues in the storylines. However, my first question I want answered is whether you loved it or hated it—did it entertain you? Did you find the humor, feel the struggle, get angry at a character, or stay up late to find out what happens next? If the answer is yes, then I’ve achieved what I set out to do.

I gauge television shows with what I call my anticipation and disappointment meter. You know what I’m talking about—the show that’s so appealing you anticipate it from week to week, and are sorely disappointed when the credits roll, because you could watch it for hours more. Those addicted to Game of Thrones or Downton Abbey probably know what I’m talking about. I take great pride when a reader tells me they were sorry when the story ended and beg for the next installment. It means I distracted them from their own concerns for a short period. As someone who dealt with postpartum depression, and rediscovered laughter through Stephanie Plum novels, I know the value of being pulled up from the depths of despair through a book. Perhaps one day I can do that for another. That’s why I write.