It was a pleasure speaking the Dr. Katherine Hayes on her Podcast Murder, Mystery & Mayhem Laced with Morality. We spoke about Operation Blackbird, writing life, and what happens when we are constantly bombarded with the negativity of the News and concerns of the world today. Listen to the podcast at Spotify. Or your favorite podcast distributor.
Dr. Katherine received her BA in English and a MA in Elementary Education at Adelphi University. She received her Doctorate of Education and Supervision at Arizona State University. Katherine taught for 8 years before moving to the principalship of K-8 and K-6 schools for approximately 10 years. She has served as a freelance writer for various magazines including, Church Weekly, Prom Guide and Glendale Magazine. When Katherine isn’t working as counselor or writing curriculum she loves painting and photography. Some of her work in art, poetry and short stories has been distinguished by awards including the New York Mayor’s contribution to the arts Award, Outstanding Resident Artist of Arizona and the Foundations Awards at the Blue Ridge Mountains Christian Writers Conference. She also runs recreationally, coordinates fitness boot-camps for women and has a black belt in Taekwondo. Katherine loves speaking to groups delivering her messages with quick wit and real-life stories. She has been involved in church ministry for 18 years leading women’s ministry, teaching, playing piano, singing, and teaching liturgical dance. Learn more on Dr. Haye’s website, https://www.drkatherinehayes.com/
—I realized, I’ve been remiss in updating you about a great podcast I had the pleasure of being a guest on – Mysterious Goings On with Alex Greenwood. Alex is an award-winning writer, public relations consultant, speaker, and former journalist. He is best known as the author of the acclaimed John Pilate Mysteries.Every week Mysterious Goings On features interviews with bestselling authors, indies, and creative people from all walks of life.
I found Greenwood to be an excellent host ready with tantalizing and thought-provoking interview questions. For those who enjoy listening to podcasts about mysteries and creative outlets, Greenwood’s entertaining podcast is for you.
MARCH 26, 2021-For the end of my Women in History series, I look to a woman who is considered the best-selling fiction writer of all time, Agatha Christie. Guinness World Records lists Christie as having sold more than 2 billion books worldwide. My first introduction to Agatha Christie was not one of her books, but rather a movie that I happened to stumble upon while channel surfing. It was the 1965 version of Ten Little Indians. When I realized the movie was based on Christie’s book, And Then There Were None, I borrowed it from the library and was soon caught up in the midst of an exciting ride.
Agatha Mary Clarissa Miller was born in Torquay, Devon in Southwest England, in September 1890. Her childhood education was erratic. At the age of 5 she taught herself to read. Her father homeschooled Christie until he fell too ill, then she spent time at a day school where she struggled with the discipline and strict schedules. A talented pianist, at the age of 15 her mother sent her to school in Paris to study piano and opera singing. However, two years later Christie determined she lacked the talent to become a concert pianist or opera singer; she ended her education and returned home. In 1912 she met Archibald Christie, and they were married in 1913. After WWI broke out, Christie trained and qualified to work as an assistant at a dispensary. Her new education in pharmacology and poisons helped develop her debut novel, The Mysterious Affair at Styles, where the world was introduced to Hercule Poirot. Christie bore only one child, Rosalind. Eventually her marriage to Archibald fell apart and they divorced in 1928. In 1930, Christie met archeologist, Max Mallowen, whom she married later that year. They remained married until her death in 1976. Throughout her lifetime, Christie wrote 75 novels-66 of them detective novels-and 14 short story collections.
Christie enjoyed travel and her train trip on the Orient Express in 1928 led to my favorite novel of hers, Murder on the Orient Express, another tricky case unraveled by detective Hercule Poirot. One of the things I enjoy about reading Christie is her heavy reliance on dialog to develop the plot and set up the murderer. There are times in Christie’s novel when the reader might find the pacing a bit slow, however if you skim over these points, you are likely to miss an important clue that will help lead you to the perpetrator. I admit that my own novels have very little resemblance to Christie’s style. While her story lines are quite methodical and deliberate puzzles to solve, my own mysteries are rather fly-by-the-seat-of-her-pants style with a good bit of action, adventure, and dumb luck for my heroine, who is not a trained detective. However, I do try to use dialog to a similar advantage that Christie used hers, by explaining plot points and dropping clues.
One thing is for sure, Christie’s influence on the detective mystery genre cannot be overstated. She is credited with establishing the modern “murder mystery” rules. Christie enticed readers by trapping all of her suspects in one location-e.g., on a train, ship, or mansion-rather than running helter-skelter around town interrogating suspects. By bringing her colorful characters to a central location, and giving them all reasons for being the murderer, her detective slowly solves the puzzle and narrows the list until the murder is revealed. Even though the reader is not taken to a variety of locations, Christie’s dialog, scenes, and character development keep us captivated and willing to spend the entire book in that single location. Her mysteries were smart, clever, and suspenseful, and they still remain popular today.
MARCH 19, 2021-I was introduced to Mary Stewart through my mother. One summer, during high school, she gave me her tattered copy of Nine Coaches Waiting, and I was hooked. Stewart’s Wikipedia page describes her as, “a British novelist who developed the romantic mystery genre, featuring smart, adventurous heroines who could hold their own in dangerous situations.” I could not have written a better description of her writing style, and, as a reader who dislikes wall flower characters, Stewart’s strong female leads were right up my alley.
Stewart was born Mary Florence Rainbow, in Sunderland, England in 1916. She graduated from Durham University in 1938 with a Teaching Diploma in English and attained a graduate degree in 1941. During WWII she was a lecturer at her alma mater and met her husband Frederick Stewart, a professor of geology, at a costume party. They were married a few months later in 1945. They enjoyed traveling abroad, and the locales often made it into her novels. Her first novel, Madam, Will You Talk, was published in 1955, and became a bestseller. She went on to write 15 stand-alone, romantic mystery novels, a series of Arthurian legend stories, four children’s books, and a book of poetry. She passed away in 2014, a few months before her 98th birthday.
I remember the first time I read Nine Coaches Waiting (yes, I’ve read it many times since.) It reminded me of the dark suspense created by Daphne du Maurier’s, Rebecca. However, whereas du Maurier’s purposely unnamed protagonist spends much of her time wringing her hands and behaving foolishly, Stewart’s Linda Martin takes an active hand in mitigating the unknown threat that lurks in the shadows. While I enjoy both authors’ abilities to create suspense, it is Stewart who takes me on an escapade filled with action. It is one of the reasons, my character, Karina Cardinal, goes down the rabbit hole of adventure, even when friends warn her not to do so. It is a rarity that Stewart’s ladies come out of their escapades uninjured, unfortunately for Karina she also rarely comes out of her exploits unscathed, either physically or mentally.
Both Stewart and I write in the first person which gives the reader insight into our characters’ psyche. It can also amp up the suspense because the protagonist and the reader don’t know what their adversaries are doing behind the scenes. This style of writing plays out well in Stewart’s novel This Rough Magic, where the reader spends the first half of the novel questioning which man is the suspect. One of my favorite aspects about Stewart’s early novels is, even though they were written in her modern day, some of them are now over sixty years old. Because I enjoy that historical fiction facet, I’ve decided to write a short story mystery that takes place in the 50s or 60s-when ladies always wore dresses, and conservative conformity was at odds with the younger generation’s liberal rebellions.
For those who’ve never had the pleasure of reading Mary Stewart, I’ll end with my top 5 favorite picks so you can get started. Enjoy!